Bolivia
2002/ 75 minutes/ B&W/Argentina/Netherlands/Spanish
Directed by Israel Adrián Caetano
Written by: Screenplay:Israel Adrián Caetano
Story:Romina Lafranchini
Starring: Freddy Flores/Enrique Liporace/Rosa Sánchez
Music by: Los Kjarkas
Cinematography: Julián Apezteguia
2002/ 75 minutes/ B&W/Argentina/Netherlands/Spanish
Directed by Israel Adrián Caetano
Written by: Screenplay:Israel Adrián Caetano
Story:Romina Lafranchini
Starring: Freddy Flores/Enrique Liporace/Rosa Sánchez
Music by: Los Kjarkas
Cinematography: Julián Apezteguia
Bolivia (2001) is an Argentine and Dutch drama film directed by Israel Adrián Caetano, his first feature-length film. The screenplay is written by Caetano, based upon the Romina Lafranchini story, about his wife. The motion picture features Freddy Flores and Rosa Sánchez, among others.
The film was photographed in "gritty" 16mm black-and-white, and was shot by cinematographer Julián Apezteguia./ Bolivia was filmed entirely in Buenos Aires.
Plot
The mostly plot-free film is confined to a café-bar in the lower-middle class Buenos Aires suburb of Villa Crespo, with few trips outside.
It tells the story of Freddy (Freddy Flores), a Bolivian with a gentle disposition, who, after Americans burn down the coca fields where he is employed, loses his job. With little work opportunities in Bolivia, he leaves his wife and three daughters and travels to Argentina to search for employment as an undocumented worker. He hopes to make money and later return to his family.
He lands a job as a grill cook in a seedy Villa Crespo café where the brutish owner (Enrique Liporace) is happy to skirt Argentinian immigrant laws in order to secure cheap labor.
It is in this café that Freddy meets the characters who affect his life: Rosa (Rosa Sánchez), a waitress of Paraguayan/Argentine descent, and an outsider by virtue of her mixed heritage; Héctor (Héctor Anglada), a traveling salesman from the province of Córdoba who's gay; a porteño taxi driver (Oscar Bertea), and one of the driver's buddies.
Freddy also has to deal with various Argentine café patrons who view all Paraguayans and Bolivians with disdain due to their ethnicity.
The motion picture was financed partly by the Rotterdam International Film Festival's Hubert Bals Fund and the INCAA (Instituto Nacional de Cine y Artes Audiovisuales de la Argentina).
The filming was a stop-and-go production and required three years of discontinuous shooting. It was shot on different days and at different times. According to director Caetano, he was never able to film for more than three days at a time.
Basis of film
Caetano said, "When writing the script, what interested me was the story; the issue of racism was not very present. However, it is inevitable that when addressing those characters and setting the story in that particular social strata, there is a series of themes that appear on their own and impose themselves."
Caetano believes that, "The film’s main theme is the collision among people of the same social class, they are workers about to be left out of any class at all, and thus they are intolerant towards one another. Basically, they are trapped in a situation they can not escape."
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